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In a dream, Zofia remembers whispering to her brother through the fence separating men and women at a concentration camp. She whispers that they will find each other after the conclusion of the war.
In the dream, Abek admits that something happened but that they don’t have to talk about it yet.
Lower Silesia, August 1945
Zofia lines up at a Red Cross desk to give the details of herself and her younger brother, Abek, whom she is looking for. She hasn’t seen Abek in five years since the family was taken to Auschwitz Birkenau. Abek Lederman, Zofia explains, would be 12 now. She receives a document saying that she was a prisoner at Gross-Rosen, which will help her to get food rations.
Zofia is disorientated and easily overwhelmed; she has just been released from the hospital after years in concentration camps, most recently the Gross-Rosen camp. She remembers her family being sorted on a soccer field in the Polish town she is from, Sosnowiec. She and her family—Mama, Papa, Baba Rose, Aunt Maja, Abek—were taken to Birkenau. Those selected to live were sent to a line on the right. Zofia thinks she remembers herself and Abek being sent right for hard labor, whereas the rest of her family were all sent left to die in the gas chambers.
A kind Russian soldier, Dima, is helping Zofia, shepherding her gently from the hospital and cautioning her to take it easy.
Dima drives Zofia to Sosnowiec. She remembers telling Abek to find her at their family’s apartment after the war, so she is determined to look there first. Dima has bought candy, a magazine, and a blanket for Zofia on the car ride. She is shocked by the strangeness and desolation of the countryside that they pass through; many buildings have been reduced to rubble, and there are discarded possessions littering the road.
When they reach Sosnowiec, Dima goes to a Soviet office while Zofia walks the remaining blocks to her family’s apartment. She finds the hidden key taped to the top of their letterbox and lets herself in.
Almost all of her family’s furniture is gone; other people had been living there but have obviously vacated it. There is no sign of Abek. Zofia walks through the abandoned and empty rooms that used to belong to her family members, feeling dazed. Only a box of a few garments and the family’s photos are left.
Mrs. Wojcik, her neighbor, suddenly comes in with a broom raised, looking to beat away squatters. Mrs. Wojcik is shocked to see Zofia, saying, “I didn’t think any of you would be back” (29). Zofia reflects that her neighbor didn’t seem pleased that Zofia survived the war.
Zofia, an accomplished sewer and embroiderer as Baba was, remembers that she sewed an alphabetical list of things relevant to their family into Abek’s coat before they went to the soccer stadium to be taken to the concentration camp: “A is for Abek. B is for Baba Rose” (32).
Dima comes to the apartment with potatoes and sausages. Feeling overwhelmed and needing a moment alone, Zofia says that she will go to the bakery for bread to go with the meal. As she goes to the bakery, she recalls the “Juden Verboten” signs that appeared years ago when the Germans first occupied Poland in 1939.
In the bakery, Zofia sees Gosia, Aunt Maja’s best friend, who hid in a cellar for the majority of the war. Gosia asks Zofia who else was on her transport to Birkenau, but Zofia becomes overwhelmed and can’t talk about it, shaking and stopping talking as she remembers the cattle cars. Gosia promises to ask if anyone she knows has seen Abek. Zofia asks Gosia to dinner; Dima’s commander will also be in attendance.
There is a swastika in Mrs. Wojcik’s flowerpot when Zofia returns to the apartment building.
Gosia brings gifts for Zofia, including soap and a blanket. Gosia asked a friend, Salomon, about whether he has seen Abek, but he has not. Salomon, who was at Birkenau, also told Gosia that many camps were liquidated before the incoming allies arrived and that prisoners were transported further into Nazi-controlled territory. This might mean that Abek is in Germany.
Zofia tries to remain present at the dinner party with Dima, Gosia, and Commander Kuznetsov, but she is distracted thinking about Abek. She explains her preoccupation to Kuznetsov, who suggests that Abek could be in Munich if he were transferred to Dachau; there are refugee camps there. Dima admits that he has written to enquire about Abek’s presence in Bergen-Belsen, and Abek wasn’t in their records; he apologizes to Zofia for keeping this from her.
At one point, Zofia accidentally calls Gosia Aunt Maja, and everyone looks at her with pity and concern.
Dima insists on finding a bedroll and bringing it to Zofia in the empty apartment.
Zofia shoves some leftovers from the plates, a few cabbage leaves and spit-out bits of gristle, into her mouth. Three men come to the door, leering and threatening, and push their way into the apartment. They tell Zofia that “this neighborhood is Judenrein” (57). Zofia quietly hopes that they will just beat her, not rape or kill her. She offers them money and vodka and then tells them that a Russian soldier will be returning soon. They are skeptical until they see Dima’s hat and then accept the money she offers and leave, threatening to visit the next week.
Dima sets up the bedroll for Zofia. He sleeps on the ground beside her, gently stroking her hair. Zofia can’t sleep. She gets up and writes a note for Dima, apologizing for leaving so abruptly and telling him that she needs to find Abek. She takes all the money from Dima’s coat and leaves.
Zofia remembers putting her hands down the pants of a German soldier as “payment” for him not to send her family to Auschwitz. The soldier says he will send them to Birkenau. Later, Zofia learns that Birkenau, or Auschwitz-Birkenau, is also known as Auschwitz II. Zofia has a dream where she and Abek, wearing his jacket with the alphabet sewn into it, are sorted to the right.
Allied-occupied Germany, September
Zofia takes trains toward Germany. The routes in Poland are circuitous; the Red Army changed and rerouted many lines. In Germany, the earth is scarred and scorched from recent allied bombing. Zofia sits next to an old man who admits that he doesn’t like trains anymore, just as Zofia was remembering the train to Birkenau. He offers Zofia sips of spirits when she wakes from nightmares.
German girls with horse-drawn carts offer paid rides between stretches of destroyed train tracks. One warns Zofia not to ask for help from Russian soldiers, who are violent and dangerous. Zofia tells the girl that a Russian soldier was kind to her.
Zofia reaches Foehrenwald, the refugee camp. She is directed to speak to Mrs. Yost, the camp administrator. Zofia explains that she is looking for her brother, who will be 12. Mrs. Yost says that the camp is for adults but invites her to look at the records in case. Mrs. Yost then takes Zofia to record Abek’s details with the missing person records. Zofia recognizes “I.G. Farben,” the name on the office book; Mrs. Yost explains that the office used to be part of a pharmaceutical company that made Zyklon B, the pesticide that was used in the gas chambers.
Mrs. Yost leaves Zofia with a man a few years older than her, Mr. Mueller, to take her to her new bungalow. Abruptly, Mr. Mueller, whom Zofia learns is called Josef, starts fighting with a man. Josef is being dominated and beaten by the larger man until he slams him in the throat and regains control of the fight. Zofia is struck with a half-memory of something about her father in a line in Sosnowiec but can’t recall it properly.
Josef takes her case and leads her to her cabin. Zofia tries to ascertain why he beat the man; Josef is evasive, simply saying that the man smelled like piss. Zofia asks if Josef punches latrines, and Josef laughs. Zofia remains badgered by the feeling that she knows Josef from somewhere, such as a concentration camp, but Josef simply says, “I wasn’t anyplace I want to talk about” (84).
Antisemitic Violence, Genocide, and Displacement During and After World War II is introduced as a pivotal and primary theme in the exposition as Zofia navigates post-war Europe. Displacement is evident in the huge variety of soldiers and civilians navigating their various ways home:
A truck stuffed with German soldiers on their way home, Polish soldiers on their way home. Russians, a few Canadians, everyone traveling in a different direction, and every direction was someone’s home, as if the world were a board game and all the pieces had ended up scattered in the wrong corners of the box (4).
This metaphor of a jumbled board game, alludes to the absolute disruption and chaos unleashed on millions of lives through the war. As a result, the post-war world is established as muddled, fragmented, and traumatized. This impression is further created by the physical spaces that Zofia passes through, which act as symbols of chaos and devastation. The landscapes of Poland are filled with discarded luggage, destroyed buildings, and scorched farmland. Looking at the discarded possessions, Zofia reflects that “each item is a family that couldn’t walk any farther” or who were “stopped” (17); it is implied that many of the owners of these possessions were killed.
The Nazi’s policies of imprisonment, violence, and genocide are referred to in the casual cruelty of the soldiers who rounded up the Jews of Sosnowiec: “An old man was praying, and two soldiers came over to jeer. One knocked the pharmacist’s hat off; the other kneed him to the ground” (11). This mocking and humiliating violence illustrates the ways that Jewish people are dehumanized. Violence through neglect is illustrated in how Zofia was given inadequate clothing and footwear and lost three of her toes to frostbite and how she was made to starve, close to death, for four years. The years of starvation Zofia was forced to endure leave an indelible impact on her relationship with food. Even though the scraps of grizzly meat on her guests’ dinner plates disgust her, she finds herself eating them voraciously, confused at her own behavior: “I am revolted by myself but also starving, or remembering what it was to be starving” (56). Zofia cannot immediately unlearn the mindset that kept her alive in the concentration camps. The most notable instance that illustrates the violence and cruelty at the camps is the horrific deaths of those who are sent “to the left” in the line at Birkenau: “The smoke was the burning bodies of the unlucky people” (14).
Antisemitism is still present even after the withdrawal of German soldiers from Poland, as is illustrated by Zofia’s reception at her apartment. Her neighbor seems to resent the fact that Zofia returns alive: “Her voice didn’t sound happy. Her voice sounded disappointed. What she meant was, I thought they killed you all” (33). Mrs. Wojcik’s support of the Nazi program is symbolized in the Swastika flag, which appears in her potted plant after Zofia returns—a clear statement of Mrs. Wojcik’s antipathy to Zofia. It is also implied that Mrs. Wojcik informed the leering men of Zofia’s return, who inform Zofia, “This neighborhood is Judenrein” (57). Monica Hesse illustrates that, even after Jews survived the concentration camps, trauma and violence continued for many Jews, who tried to restart their lives in a Europe still rife with antisemitism. Zofia is clearly inured to violence and humiliation, as is reflected in her silent prayer: “Please let them just beat me and not rape me. Please let them just rape me and not kill me” (58). She knows that physical or sexual violence or murder are very likely outcomes, as she has witnessed and experienced countless incidents of antisemitic violence.
Memory and Trauma is also introduced as an important theme. The impact of the violence enacted on prisoners of concentration camps is alluded to in the broken and fragile state of the women recovering in the hospital: “We have nothing. […] we feel nothing. […] [O]ur minds are soft. Confused” (4). Their confusion stems from the years of trauma they experienced, through starvation, torture, beating, freezing, and losing friends and family in devastating ways. Zofia struggles to recall what is real and what is imagined; her mind has protected itself by compartmentalizing stressful experiences to protect her sanity, and now she can’t clearly remember some parts of what happened in the previous four years. At other times, she remembers horrific events and can’t stop fixating on them, which leaves her feeling mentally exhausted and confused: “This is what happens to my brain now. It trips. It goes in loops. It won’t let me think some things and won’t let me stop thinking of others” (17).
Zofia struggles to discuss certain events, as they bring on a post-traumatic stress response, which causes her to feel like she is currently reliving these moments. This occurs when Gosia asks who else was on her transport to Birkenau: “‘On the transport, there was only—’ But before I can continue, I’m slipping back into the horrors of that day: yelling in my ears, the smell of decay in my nostrils, feelings so thirsty and so weak and barely able to breathe” (41). This distress manifests in Zofia’s shaking body and her inability to continue speaking. Zofia’s patchy memory and confusion are also expressed when she mistakes Gosia for her murdered Aunt Maja: “‘Aunt Maja just now said the prisoners from Birkenau went to Germany. Didn’t you hear her?’ The silence in the room, the painful squeaking of a floorboard, is what makes me realize my mistake. My face reddens. ‘I mean Gosia, obviously. I know it’s Gosia’” (53). Other individuals are obviously traumatized after the horror of the concentration camps, and this idea is explored in the kind old man on the train, who admits, “I don’t like trains anymore,” and who offers Zofia sips of spirits for “for bad dreams” and then “for a noisy mind” (70-71). It is implied that, like Zofia, he is remembering a train trip to a concentration camp and needs the dulling effect of alcohol to tolerate the journey.
The theme of Memory and Trauma is also explored through Zofia’s disorientation when she sees Josef strike the man in the throat. She recalls a shadow of a memory that she cannot properly conjure:
Watching him, something pushes in on my brain. A thought, a memory, trying to break through my spiraling, to bring me back to myself. Mr. Mueller. Sosnowiec in the summer. Heat, the hottest days, standing in lines. My father. […] something I’ve just seen reminds me of—what? (90).
In her inability to recall this memory properly, Zofia’s mind protects her consciousness from the unbearable memory of her father’s death. Furthermore, Josef’s true identity, an ex-German soldier, is alluded to in his use of the throat strike, which Zofia will eventually remember. His evasiveness about his wartime experience is a hint of his true identity; Josef simply says, “I wasn’t anyplace I want to talk about” (84).
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