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48 pages 1 hour read

The Woodlanders

Fiction | Novel | Adult | Published in 1887

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Chapters 9-16Chapter Summaries & Analyses

Chapter 9 Summary

Giles sees Mr. Melbury walking across his yard and approaches him. He asks if the Melburys will visit his house the day after next. However, out of a “self-deprecatory sense of living on a much smaller scale than the Melburys” (59), Giles does not tell them that it is to be “a gathering of any importance” (59). Nor does he mention a time. Thus, believing it to be merely a casual meeting, the Melburys show up early on the day of the party. They thereby catch Giles and his helper, Robert Creedle, in the middle of preparing food for the party and not remotely ready to receive guests.

Chapter 10 Summary

Unfortunately, things do not get much better for Giles. Despite the good quality of the food and drink offered, Grace is splashed by one of Creedle’s desserts as he serves it. They are then forced to play cards with old sets, as the new ones are monopolized by two boisterous local guests playing their own game. Grace does not dance to the band that Giles has booked from Great Hintock either, because she has forgotten the traditional Hintock dances. Finally, as the Melburys are walking home, they hear the two other guests singing a crude song about a maid. This leads Mr. Melbury to decry “the sort of society we’ve been asked to meet” (66) and declare that “for Grace—Giles should have known better” (66). As Giles and Mr. Creedle clean up afterwards, the former exclaims that “’tis all over” (67) between him and Grace.

Chapter 11 Summary

The morning after the party, Mr. Melbury is still tormented by the sense that Giles is not socially good enough for Grace. He also worries that, in time, as he tells his wife, “Grace will gradually sink down to our level again” (68). In other words, she will become acclimatized to a rustic “uncultivated” style of life and accept Giles. This concern is exacerbated when, in the following fortnight, Mrs. Charmond fails to call on Grace again as she had promised. Mr. Melbury attributes this fact to Mrs. Charmond hearing about Grace’s attendance at Giles’s party. Giles also buys a new horse, which impresses Grace, giving him renewed hope of winning her affections.

Chapter 12 Summary

Out on a walk, Mr. Melbury and Grace encounter a gentleman on a foxhunt who Melbury believes has disrespected Grace by saying she should have shouted to alert the hunt of the fox she saw. Mr. Melbury imagines that she was only treated that way because she was with him. This leads him to the realization that a woman’s perceived status is dependent on the man she is with and cements his conviction that, for that reason, Grace should not marry Giles. In the evening, Mr. Melbury shows Grace his title deeds and bonds, indicating what she will own with a prospective husband. This is to inculcate in her a desire for a higher social standing. Their servant, Grammer Oliver, then announces that Mrs. Charmond is going to the continent without Grace. Mr. Melbury uses this opportunity to make Grace promise not to see Giles again without his permission.

Chapter 13 Summary

Giles hears news that Marty’s father, John South, is severely ill. This is of grave significance because his own house, and his ownership of several other properties in the village, depend upon South’s life. When he dies, according to the “lifehold” contract signed by an ancestor, all these properties will fall into the hands of Mrs. Charmond. As such, Giles visits Mr. South’s home. He is sick because of a nervous delusion that a tree outside his house will fall on, and kill, him. Giles decides to prune the tree to see if this action will help. While he is doing this, Grace walks by South’s house and at first ignores Giles when he calls to her. She then stops and explains that, due to her father’s words, any chance of an engagement between them is over. The next day, Giles is involved in an altercation with Mrs. Charmond when his cart blocks her carriage while taking timber to a nearby town.

Chapter 14 Summary

Giles finds an important clause when examining the life-lease contracts amongst his papers the next day. The clause states that the contracts can be extended to include the length of his own life, provided a nominal sum is paid. Giles resolves to do this but first returns to Mr. South’s house to see if his plan of pruning back the tree has improved Mr. South’s state. He discovers from Marty that it has made it even worse. Dr. Fitzpiers then arrives and advises they chop down the tree altogether, which they do. However, on seeing the tree gone the next morning, Mr. South “seemed paralysed by amazement” (87) and dies that evening.

Chapter 15 Summary

As a last resort, Giles sends a letter to Mrs. Charmond, appealing to her sense of “moral right” (88) and compassion, to be allowed to keep his house. She responds 12 days later with a negative answer. On hearing about this, Marty writes on Giles’s wall that, having “lost his dwelling place,” he will “lose his Grace” (91). Grace sees this writing the next day. Believing that Giles can see her do it, and inspired by new feeling for him, she changes “lose” to “keep.” However, Giles does not see this. Further, over breakfast, when Grace announces that she would like to continue the engagement with Giles, her father shows her a letter written by Giles the previous day renouncing all claim to Grace. Coupled with her belief that Giles has chosen not to act on her writing “keep” on his wall, this ends her resurgent interest in Giles.

Chapter 16 Summary

Dr. Fitzpiers is travelling to see a patient in Little Hintock and picks up Giles, who is walking along the road. Dr. Fitzpiers talks to Giles about the nature of love and asks about an attractive woman he has seen walking sometimes near his house, whom Giles recognizes as Grace. Dr. Fitzpiers had assumed the woman, from her refined demeanor, was Mrs. Charmond. When returning from an inn, where he shared a drink with Giles, Dr. Fitzpiers sees the woman in question, Grace, by a window in her house. Her true identity as the daughter of Mr. Melbury now becomes clear to him.

Chapters 9-16 Analysis

Mr. Melbury’s growing conviction that Grace should not marry Giles, especially following Giles’s party, is supposedly motivated by concern for her well-being and status. Walking home from, and alluding to, that event, Mr. Melbury says that “it is hardly the line of life for a girl like Grace, after what she’s been accustomed to” (66). Her traveling and education, he suggests, now means that a rustic existence with Giles would not be a happy one for her. Further, it would not be befitting of her accomplishments. Mr. Melbury’s anger at the foxhunting gentleman for questioning why Grace did not shout ostensibly stems from a concern that she should be treated with more respect. Therefore, he reasons, Grace must marry well, so that by association with the right kind of man she “shan’t be treated like that for long” (73).

However, other comments and incidents reveal a more problematic truth to Mr. Melbury’s wishes, most notably in the way Mr. Melbury accounts for Mrs. Charmond’s snubbing of Grace. His explanation is that Mrs. Charmond would have “heard the village news and become quite disappointed in her expectations of Grace at finding she kept such company” (69-70). In other words, Mr. Melbury blames Giles’s party. Regardless of the unlikelihood of the aloof Mrs. Charmond even hearing about such an event, or the myriad of other possible reasons, Mr. Melbury’s certainty of the cause here exposes a certain anxiety and obsession. Specifically, he is obsessed with how others, particularly those of higher social standing, perceive him. This arises yet again in the fox-hunting incident when the gentleman calls him an “old buffer” (72). His anger there, projected onto a concern for Grace’s honor, is in fact the expression of a deeper insecurity about how others perceive him. This goes back to an event in his childhood, referenced in Chapter 4, when he was humiliated by the parson’s son for his lack of education.

Due to his past trauma, Mr. Melbury does not just want Grace to marry well so that she can have “more honour” (73) via a well-placed husband. He also wants her to marry into a higher social caste so that he can vicariously enjoy greater social standing and respect via her. Mr. Melbury’s actions underscore this assessment when he shows Grace the deeds of ownership, an act that symbolizes not only investment, but Mr. Melbury viewing Grace and her “proper” marriage as an investment. As Hardy says, “after the heavy sum per annum that he had been spending for several years upon her education, he was reluctant to let her marry Giles” (68). This is the case “even were she willing to marry him herself” (68). Mr. Melbury spent money on her education not to elevate her, nor to give her better prospects in life, but to guarantee his status in the eyes of others. Likewise, his conviction that Grace should not marry Giles has little to do with her own feelings or the kind of life she would lead with him. Rather, it has everything to do with the sense that he would be “wasting” his investment, since marriage to an apple farmer would yield little social “return.”

However, Mr. Melbury blunders. In his desperation to lead Grace away from Giles and “to sow in her heart cravings for social position” (75), he shows her papers indicating his possession of various bonds and properties. These possessions, which will be hers one day, are supposed to inculcate in Grace a sense of her “worth” in contrast to the relative poverty of Giles. She inadvertently though comes across some receipts for her own clothes and education. As she remarks, “I, too, cost a good deal, like the horses and waggons and corn” (75). Along with the vulgarity of the situation, this causes her to question the crude, instrumental, and status-driven motives of her father regarding her. Further, it causes her for the first time in the novel to rebel against him.

After being told by Mr. Melbury not to meet Giles again without his permission, she does. She even says that she would have married him one day were it not for her father. This rebellion then reaches its apotheosis when Giles loses his house. In a moment of “unusual rashness” (92), Grace changes the writing on Giles’s wall to indicate that he would “keep” his Grace rather than lose her. She thus, metaphorically, tries to alter the course prewritten and predetermined for her. At this point in the narrative, Grace exudes far more agency than most of the other characters. Defying her father, and asserting her wish to still marry Giles, she asserts herself against the petty and restrictive world of social convention and “practicality.” Tragically, however, Giles does not take this leap with her. Rather, on losing his home, he writes “a formal note” (91) to Melbury renouncing any claim on Grace. He thus accepts the social fiat, and social order, which sets property as a condition for romantic relations, of which he is a victim. His conformity, and inability to read different types of “writing on the wall,” to imagine non-conventional possibilities, dooms him. He remains passive and timid, and so Grace’s incipient revolt against convention, and her father, falls on infertile ground.

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