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43 pages 1 hour read

The Soloist: A Lost Dream, an Unlikely Friendship

Nonfiction | Biography | Adult | Published in 2008

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Part 1: Chapters 5-8Chapter Summaries & Analyses

Part 1, Chapter 5 Summary

It takes Ayers a month to get to Lamp to play his instruments. Lopez goes to see Ayers play in the courtyard. After Ayers finishes playing, Lopez calls Ayers’s sister, Jennifer, and the two speak for the first time in years. Ayers speaks with a fellow Lamp inmate, Carol, who also struggles with mental health issues. She reveals some of her paranoid tendencies, such as thinking “I was getting message from the TV” (44).

Lopez also gives background on Mollie Lowery, the founder of Lamp. She retires around the time Lopez meets Ayers. She began Lamp in 1985 when she “noticed a sudden explosion of mentally ill people wandering the streets” (45). She decides to create Lamp, “a welcoming place without judgment, a place where clients could be themselves in a setting without expectation or rigid rules” (46). Ayers admires her work as well as her encouragement surrounding Ayers.

Ayers finishes playing and does not return to Lamp for another three days. He plays again, but this time he takes his instruments with him when he is done. 

Part 1, Chapter 6 Summary

Lopez gives background on himself, beginning with his time at a junior college in the San Francisco Bay Area. He transfers to San Jose State to study journalism and begins “a sportswriting career that didn’t last two years” (50). He becomes a newsreporter at the Oakland Tribune, where he feels more engaged. He embarks on a career as a news reporter where he finds a sense of purpose. He notes that the L.A.Times is currently undergoing staff cuts, a threat to the industry.

Lopez meets with Richard Van Horn, the president of the National Mental Health Association of L.A. He and his wife meet with Lopez in order to discuss the best course of action for Ayers. Van Horn runs the Village in Long Beach, another facility for the mentally ill homeless. Ayers visits the Village and sits in on a new walk-in patient named David, who suffers from depression and psychotic behavior. Dr. Ragins helps David get a hotel room nearby and gives him a referral for a doctor to treat his foot. Lopez speaks with Dr. Ragins and tells him about Ayers. Ragins assures Lopez that he is doing a lot of good for Ayers, and it will be a long process. 

Part 1, Chapter 7 Summary

Lopez worries about Ayers keeping the instruments, convinced he will get mugged. Lopez decides to spend the night with Ayers in the Toy District in an attempt to further understand him. Lopez enters the district in the evening, encountering drug dealers and prostitutes. Of one woman he says, “a young face is cracked, sunburned and coked out” (63). A rescue crew comes to take her away after she calls 911 and complains about her heart. He finally sees Ayers around 9 pm. They settle in an area among other people setting up camp for the night.

Lopez tries to convince Ayers that it would be better to sleep inside but does not make it far in the argument. Ayers prepares the space for sleep, sweeping the sidewalk with a broom. He lays out cardboard and a sleeping bag. He uses his old violin as a pillow. The two continue to speak, and Ayers recites a monologue from Hamlet.

Ayers goes to sleep, and Lopez begins to doze. He gets up and walks around Skid Row. Eventually, he checks into a hotel and spends the rest of the night there. 

Part 1, Chapter 8 Summary

Ayers describes one of Ayers’s Julliard classmates and friends, Joseph Russo. He shows musical promise at an early age as he plays the bass. He takes lessons from the renowned musician, Homer Mensch. Russo is accepted into Julliard on a partial scholarship, and he embraces the “full-time challenge” (74).

One day, he hears what he assumes to be Homer Mensch playing but discovers that it is Ayers. The two become friends. Russo invites Ayers and some fellow classmates back to Manhasset during a holiday break. During a party, Ayers accuses Russo of being a racist, which takes Russo completely off guard. He says of Ayers: “It was as if another person had crawled into his skin” (76). Ayers returns to his normal state after the incident. 

Part 1, Chapters 5-8 Analysis

These chapters delve into Lopez’s character and chart the struggle and learning process that come into play through his relationship with Ayers. Lopez feels saddled by Ayers but nonetheless feels it is his duty to help: “I just need to get on with my life and have some assurance that he’s in a place where he can get help” (42). Instead of just trying to get Ayers into a shelter, Lopez makes efforts to further understand Ayers’s psychology. He spends an evening on the streets with Ayers, trying to understand why he insists on sleeping outdoors, unprotected. He attempts to argue with Ayers but makes no headway—Ayers meets him at every turn, challenging him intellectually. Lopez admits he does not have a strong understanding of mental illness and seeks to educate himself. Through his conversation with Dr. Ragins, Lopez learns about an approach that seeks to form an interpersonal bond with the patient rather than just come up with a diagnosis. Slowly, Lopez begins to gain a better understanding of Ayers and steps out of his normal comfort zone.

In this way, these chapters also touch on the themes of mental health and race, two issues that become intertwined. Lopez begins by underlining the ways in which Ayers’s background and race differ from other players in the novel. In fact, Lopez contrasts his own white, middle-class upbringing with Ayers’s. He goes on to give background on Joseph Russo, Ayers’s classmate. He is another white, upper-middle class male. Both Lopez and Russo, due to their race and socio-economic status, have had radically different experiences than Ayers. Institutionally and culturally, Lopez suggests that they are set up to succeed while Ayers is set up to fail. Almost all the residents of Lamp are mentally ill African-American men.

Lopez suggests that culture, especially that in L.A., is not conducive for mentally ill people of color to succeed. In the 1980s, Mollie Lowery founds Lamp in order to combat a “full-blown epidemic” (46) of mentally ill homeless people on Skid Row. The government simply did not have successful programs to help address this intense problem. As time goes on, Lopez underlines how Lamp and the Village are seeking to treat mental illness and homelessness in new, more effective ways. Instead of simply seeking to diagnose or instill strict rules, workers in these organizations seek to develop personal relationships with those at risk. Through trust, they help the homeless and mentally ill rebuild their lives and move towards recovery. Thus, the culture is changing in small ways. 

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