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76 pages 2 hours read

The Family Upstairs

Fiction | Novel | Adult | Published in 2019

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Themes

The Lasting Effects of Trauma

The four children living in the Chelsea house in the late 1980s and early 1990s—Henry, Lucy, Phin, and Clemency—endure immense trauma. Once David Thomsen becomes the self-appointed leader of the house, he implements harmful rules, such as forbidding the children to go outside, underfeeding them, and locking them in their bedrooms as punishment. This trauma affects the characters well into adulthood. As an adult, the truth of Lucy’s past “jangled at her nerves, squeezed at her stomach muscles, played drums on her heart, taunted her in her dreams, sickened her when she awoke, and kept her from sleeping when she closed her eyes at night” (222). This quote indicates the extent of Lucy’s trauma, and how it even affects her physical health as an adult.

Reflecting on his own trauma, Henry acknowledges that oftentimes people don’t realize the extent of their trauma while they are experiencing it. It’s easy to look back and say how things should have gone differently, but by the time Henry and the other children had been living under David’s watch for several years, they’d become accustomed to his mistreatment of them. As an adult, Henry reflects on the time David locked him in his bedroom as punishment. Henry thinks,

Since we already spent most of our free time in our rooms, this didn’t at first feel quite as sinister as it looks written down like this. It’s very strange, looking back, how accepting children can be of the oddest scenarios. But still, seeing it now, in black and white, it really is quite shocking (195).

Henry is horrified by the way he was treated as a child. Finally, Henry realized he would have to take extreme measures in order to escape their situation at the Chelsea house. This causes Henry to poison his father, Martina, and David, and kill Birdie in order to allow himself and the other children to escape. Henry reflects, “Looking back on it there were so many other ways to have got through the trauma of it all, but with all the people I loved most in the world facing away from me I chose the worst possible option” (274). With nowhere else to turn, Henry turned to drastic measures to plan his escape. Henry acknowledges that the trauma of his situation led him to take such dangerous and deadly measures. It is easy to think back and wish different choices had been made, but when someone is undergoing extreme trauma, they sometimes have to make difficult decisions.  

Names and Identity

While unraveling the story behind the Chelsea mansion, Libby learns that her birth name is Serenity Love Lamb. This causes Libby to reflect on how her life may have been different if she’d grown up in the Chelsea mansion instead of being adopted as a baby. Libby thinks,

I am Serenity Lamb. I am also Libby Jones. Libby Jones sells kitchens in St. Albans and wants to go salsa dancing. Serenity Lamb lies in a painted crib in a wood-paneled room in Chelsea with a rabbit’s foot tucked inside her blanket. She finds it hard to locate the overlap, the point at which one becomes the other. When her adoptive mother first held her in her arms, she imagines. But she wasn’t sentient then. She wasn’t aware of the transition from Serenity to Libby, the silent twisting and untwisting of the filaments of her identity (48-49).

As Libby continues to explore the story behind the Chelsea house, she discovers that she doesn’t need to have everything planned and organized in life, because sometimes unexpected surprises arise. This is just one way Libby’s identity, and understanding of herself, shifts throughout this experience. Libby continues to make this realization as she reflects on her birthday, which, it turns out, is five days off from her actual date of birth. Libby thinks, “How does anyone know? Maybe it was just made up. By the social services? By her adoptive mother? She feels her grasp on the certainty of herself start to slip and slide” (142). Libby learns that the parameters of her identity aren’t set in stone, and she can change the more she learns about herself. By the end of the novel, Libby has rekindled her relationship with her biological family, including Lucy, Marco, Stella, and Henry. Libby’s childhood with her adoptive family is still a significant part of her identity, but she can also make room for the part of her that was born Serenity Lamb, and the people who loved her as a baby.  

Homelessness and Underlying Conditions

At the beginning of the novel, Lucy is a homeless woman living in the Côte D’Azur. Lucy’s story shows how difficult and traumatic experiences can cause someone to become homeless. For example, Lucy was married to Michael, Marco’s father, but he was abusive, making Lucy choose a difficult life living hand-to-mouth rather than staying with him. After spending a night sleeping outdoors, Lucy “looks at herself in the mirror. Nearly forty years old. Homeless. Single. Penniless” (41), demonstrating how her situation hurts her pride. Lucy reflects on the experience of being homeless when she plays her fiddle outdoors for change, and notes that the late crowd is an easier crowd than the early-evening tourists. Lucy thinks,

They’re not distracted by irritable toddlers up past their bedtimes. Or cynically wondering if she’ll spend the money on drugs or booze, or if the children and the dog are just for show, if she’ll beat them when they get home if she hasn’t made enough money. She’s heard everything over the years. She’s been accused of it all (65).

As a homeless woman, people make a lot of assumptions about Lucy, even though they don’t know anything about Lucy’s background and how it led her to be in this position. This shows just some of the challenges endured by the homeless and serves as a reminder not to judge people solely based on their appearance or current place in life.

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