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59 pages 1 hour read

That Summer

Fiction | Novel | Adult | Published in 2021

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Part 3Chapter Summaries & Analyses

Part 3: “Little Bird”

Part 3, Chapter 16 Summary: “Diana”

The narrative returns to the past to describe the events of the young Diana’s life, seven years after the night of the bonfire in 1987. In this time frame, it is the end of the summer, and Diana returns to Provincetown, where Michael was working on the cottage and left flowers for her on the porch. He also sold all of her decorated oyster shells. Diana phones him, and he comes to the cottage to cook her dinner. He asks her the real reason she left for the summer, and Diana tells him the story of the summer when she was 15 and worked for Dr. Levy.

The narrative flashes back even further to the night of the bonfire party in 1987. In this past moment, Poe continues to hand Diana drinks until she feels tipsy and walks into the dunes, where she lies down and falls asleep. When she wakes up, there is a boy lying on top of her.

The narrative pulls out of the flashback and returns to the moment that Diana and Michael are spending together at the cottage, seven years later. Diana tells Michael how on that night, one boy held her down while another boy raped her and a third boy simply stood by and watched. When the first boy had finished, the second boy approached her, but she hit him and ran. The third boy told them to leave her alone. Diana confesses that Michael is the first person she has ever told any of this. He comforts her and tells her that she did nothing wrong. When she expresses uncertainty about the nature of her new relationship with Michael, he promises to be patient.

Part 3, Chapter 17 Summary: “Diana”

The narrative continues the story of Diana’s life seven years after the night of the bonfire. Over the course of the winter, Michael and Diana grow closer. She meets his parents and his friends. They kiss and hold hands, and Michael does not push her for any more than that. At the end of January, there is a blizzard, and Michael stays with Diana. They spend their birthdays together, and Michael buys them kayaks in hopes that they will use them during the following summer.

As summer approaches, Michael wonders if the boys that abused Diana could be punished somehow. Diana considers blackmailing them but believes that no revenge plot could ever restore what they took from her. Her whole life changed because of what they did. Michael and Diana kiss and cautiously have sex for the first time, and Michael tells Diana that he loves her. Later in the spring, Michael again asks Diana to stay for the summer, but she says she can’t because she is worried that the boys from Emlen will return. Michael proposes, and even though Diana reveals that she never wants children, they get engaged.

Part 3, Chapter 18 Summary: “Diana”

Michael and Diana get married in September of that year. Diana has finally told her family the truth about her assault in 1987, and she and Michael buy the cottage from Dr. Levy. Years pass, and they live happily together. Diana begins to sell her paintings at local art fairs and gains critical acclaim for her work. She finds a therapist and becomes close with her nieces and nephews, who visit her and Michael on the Cape. One of her nieces is being teased by the boys at school, and Diana immediately worries about her. She reflects on the fact that the boys who raped her stole her opportunity to be a mother. Her dog Willa dies, and she and Michael get a new dog. In 2010, Reese retires and sells the Abbey restaurant to Diana. When the #MeToo Movement begins to go viral, Diana wonders whether the boys who harmed her feel any guilt now that they are grown men. One day, as Diana is helping Michael to close up the houses of clients for whom he is a caretaker, she sees a framed photograph on a bedside cabinet and recognizes the man in the picture as Poe. Diana is disturbed to finally know that the real name of the boy who raped her is Henry Shoemaker. She tries unsuccessfully to put him out of her mind and begins researching him and his family. Michael asks what she is planning to do with this information, but she doesn’t answer. Diana leaves Provincetown and travels to Emlen Academy.

Part 3, Chapter 19 Summary: “Daisy”

Back in the present moment, Hal has volunteered to host a party for the parents from Beatrice’s school, and Daisy is saddled with the task of organizing and catering for the event. She makes a lot of effort with her appearance in an attempt not to seem inadequate, but she still feels out of place, embarrassed by Beatrice and her unorthodox interests, and self-conscious about her own lack of a university education or any career accomplishments. While in this negative mindset, Daisy walks in on Hal silently confronting her catering assistant and accusing her of stealing cash from his desk—cash that Daisy herself had borrowed. She realizes that Hal is drinking for the first time since she met him. He defends himself, but Daisy is left wondering whether she really knows her husband at all.

Part 3, Chapter 20 Summary: “Beatrice”

Later, Beatrice is on her way to school when she runs into Cade, who persuades her to skip school with him. She takes him to the Mutter Museum of medical oddities, one of her favorite places in Philadelphia. Cade tells Beatrice that she is brave for not caring what other people think and not wanting to be like everyone else. They talk about the various museums and authors they like, and Cade brings up the incident that got Beatrice expelled from Emlen. He asks if the incident really happened how she claims. Beatrice reveals that her friend Tricia, who was raped, refused to tell the school what had happened because she thought that no one would believe her. Cade asks if Tricia was confused and speculates that the boy in question might have been getting mixed messages from her. Beatrice defends her friend and argues for a woman’s right to change her mind. Before the conversation becomes a true argument, Cade concedes to Beatrice, and she ends up feeling warmly toward him.

Part 3, Chapter 21 Summary: “Diana”

Diana goes to Daisy’s house for dinner on a night that Hal is away and meets Beatrice. The two get on well. Diana and Daisy get into a routine of meeting to cook together or go on walks and talk about all aspects of their lives. Hal has been in a bad mood since the party, and he and Daisy even argued the night before about a local politician who became a casualty of the #MeToo Movement. In the argument, Hal equated unwanted sexual advances with innocent flirting, but Daisy stood up for the women who accused the politician.

Now, Daisy and Diana discuss how the #MeToo Movement is beginning to change things for men who have always gotten away with crimes of sexual assault. Diana reveals that she herself was once raped and tells Daisy how it changed her life and how Michael helped her to come to terms with it. Diana is on the brink of telling Daisy something important about the summer she was raped when Daisy gets a phone call from Beatrice’s school, revealing that Beatrice had been absent all day. Daisy panics when she is unable to contact her daughter. She and Diana rush to find Beatrice. They eventually get through to her on the phone and find out that she is safe. They pick her up from school together.

Part 3, Chapter 22 Summary: “Diana”

Diana returns to her apartment and contemplates how she has lost control of events. She wanted to confront the men who hurt her, and she never foresaw the sympathy she would develop for the women in their lives. She calls Michael and tells him about her struggle. He tells her to come home, but she says that she can’t because she still has work to do.

Part 3 Analysis

Part 3 provides the climax of the novel’s actions when the traumatic events of the bonfire party are finally revealed in an intense flashback. With her trauma finally spoken aloud for the very first time, Diana frees herself to commit fully to her journey to overcome her assault. In Michael, she finds an unexpected source of comfort and support that she has never felt before. Even so, The Lasting Impact of Sexual Assault has a profound effect on Diana’s well-being as she continues to feel a distinct separation from the person she was before her assault; as she tells Michael, she used to be “the girl who wanted that big life” and confesses, “I’m not her. Not anymore” (219). The intense hurt and loss that underscore this admission convey the idea that for women who must endure and somehow recover from such traumatic events, identity itself shatters and can never be fully repaired. In this way, Diana’s struggles mirror the unspoken struggles of Daisy, who sacrificed friendships, educational aspirations, and career ambitions to become instead an idealized wife for Hal and mother of his child. Weiner compounds this sense of fractured identity by bestowing many separate names on her main characters. Daisy is Diana Rosen and Daisy Shoemaker, and Hal is variously referred to as Henry, Hal, and Poe. Similarly, Diana is originally Diana Scalzi but takes on the persona of Diana Starling and is also referred to as Dee on occasion, while Beatrice is also Bea and Trixie. This myriad of alternate names and identities emphasizes the idea that individuals are complex and varied, but also implies that deception and fabrication often lie at the heart of even the most meaningful interpersonal relationships.

As Michael and Diana discuss what action can possibly be taken against the boys who assaulted her so many years ago, the theme of Justice Versus Revenge takes center stage and has a much more powerful impact, for by this point, Weiner has made the culprits’ identities perfectly clear to readers. In this way, the discussion between Michael and Diana heightens the dramatic irony of the novel while also serving as a commentary on the broader social issues driving the plot. Michael ponders the degree of culpability that should be assigned to Diana’s attacker and his accomplices, asking, “Aren’t all of them kind of to blame?” (218), and thus, Weiner introduces the question of wider complicity in a culture saturated with misogyny and gender inequality and creates a scenario that echoes many real-life situations, forcing readers to consider the situation from multiple angles.

The novel explores the assignation of blame as a complex issue that stretches beyond the immediate incident. While characters like Vernon Shoemaker may argue that Diana was to blame for allowing herself to be put into such a situation, Weiner suggests a more nuanced approach is necessary. Whether the finger of blame is pointed at Diana’s parents, for negligence; at Vernon, for raising his son with a sense of impunity and disparagement toward women; or at Emlen Academy, for creating and condoning a permissive school culture that encourages boys to feel entitled to take anything they want, identifying a single source of the issue is no simple matter. Ultimately, the novel does not attempt to solve the larger social dilemma at work here; instead, all of the characters explore the issue in their own unique ways and attempt to find some semblance of a resolution in order to lay their own sense of guilt or shame to rest.

This section also includes a pivotal moment in Diana’s healing as she finally finds the courage to state aloud what happened to her and finds a worthy confidant and partner in Michael. For the first time since her assault, Diana is able to engage in a sexual encounter with a man and feel something other than disgust at herself or anger at her attackers. This consummation is a crucial turning point for Diana, because finally, rather than attempting to flee her past, she begins to share her story with friends and family, and with Michael’s help, she explores what she wants to achieve in the balance of Justice Versus Revenge. From this point in the novel onward, the narrative begins to make its way back to the point of Diana and Daisy’s meeting in the first chapter.

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