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Like the titular teenagers in William Shakespeare’s The Tragedy of Romeo and Juliet, Street Love’s Damien and Junice face opposition to their dating. While a historic rivalry keeps Romeo and Juliet apart, socioeconomic class divides Damien and Junice. Damien is initially interested in the equally privileged Roxanne, whom his best friend Kevin agrees is beautiful and, more importantly, approved by his mother, Ernestine. However, Damien ultimately falls in love with Junice. He feels an inexplicable pull to his schoolmate, one he equates to Shakespearean fate. It is this love that drives him to pursue her, and he is unthwarted by his parents’ disapproval. Though Damien prides himself in approaching problems with logic, he is unwilling to do so whenever Junice is involved. While this logic comes from a place of privilege, he is genuinely concerned for Junice and doesn’t see her family history as reflective of her character. To him, love—forbidden or otherwise—makes the risk worthwhile. Perhaps inspired by his own entrapment by his parents, Damien does not judge Junice’s situation, and he ultimately wants them both to succeed in love where their parents failed.
Though initially skeptical of Damien’s interest, Junice grows to love him. Her mother, Leslie, accuses her of behaving foolishly by prioritizing a boy over her freedom. However, this accusation is unfounded, as Junice never shirks her responsibility to her family. She frequently urges Damien to stay away, believing her economic hardship will impact him. With time, this caution gives way to comfort, as she finally acknowledges her desire for company. In the end, Junice becomes equally willing to defy her mother and people like social worker Rachel Davis, and she agrees to flee to Memphis, Tennessee with Melissa and Damien. In this way, the novel suggests true love triumphs over prejudice, internalized or otherwise, and that it has the power to bridge the gap between any social divide.
In contrast to Shakespeare’s Romeo and Juliet, the main characters do not die at the end of the story and are instead left to face a hopeful, though uncertain, future. Through this final twist, Myers suggests that past tragedies do not have to repeat themselves; although a similar tale of forbidden love has previously been told, that story doesn’t determine the fate of these young lovers. Myers’s break from the anticipated ending reflects Damien and Junice’s determination to defy expectations and not repeat the mistakes of their parents.
Throughout the novel, family legacy works in both positive and negative ways. For Damien, his family legacy brings both challenges and privileges. Damien is aware that his family is a success story, as his parents managed to overcome their respective challenges and significantly improve their financial situation and social status. The stability of his home life is a result of his parents’ efforts and is a privilege that allows him to excel in school. Because of their dedication to his education, Damien’s parents—especially his mother—regard his present and future success (i.e., college admission, marriage, etc.) as indicative of their hard work and an extension of their own success. In this, he feels pressured to live out their dream to continue the family legacy as a whole. The obligation Damien feels causes dissonance, as he believes he will have little opportunity to pursue what he actually might find meaningful and that choosing any other path would insult the good things his parents have provided for him. The irony of Damien’s situation is that his familial pressure, coupled with the privileges that his family has provided, leaves him unable to find meaning in life—that is, until he meets Junice.
Junice is also impacted by her family’s decisions: Whereas Damien has benefited from his family’s legacy up until this point, she knows her mother and grandmother’s financial struggles have been passed down to her and Melissa. When Junice’s mother, Leslie, is sentenced to a prison term for possession and distribution of drugs, Junice is frustrated because she recognizes her mother had little choice. She argues Leslie’s actions were for the sake of providing for their family. However, she notes that this legacy of financial difficulties extends to ancestors long before Ruby. This cycle frustrates Junice, as she feels she lacks agency and control over her future. While there is some irony in the fact that Damien possesses all the physical and monetary privileges that Junice longs for, both characters have family legacies that leave them feeling as though they have little influence over their own futures, although for very different reasons. Overall, the novel suggests that the power of choice is more important than one’s circumstances.
Walter Dean Myers’s use of free verse mirrors Shakespeare’s use of meter (specifically, iambic pentameter) in Romeo and Juliet—the inspiration for Street Love. Meter reflects Shakespeare’s time period, while the Modern era (the first half of the 20th century) lent itself to a new poetic form: free verse. Myers uses unmetered lines with irregular stresses to illustrate the frenetic nature of Harlem. This free verse tends to be short and creates a tense, staccato rhythm. For example, when a panicked Melissa worries about their mother’s incarceration, Junice responds in an equally tense way: “I know/Baby, I know/We have the same ragged/Steel tearing at our guts, ripping/Our lives/I know/Oh look/Into my eyes” (50). In doing so, Junice sympathizes with Melissa’s panic and tries to calm her.
In addition to sympathy, poetry conveys characterization. Kevin and Sledge both speak in a fast-paced manner, often with rhyming couplets: “Sounds righteous, my brother/Best listen to your mother/Now what I need is for you to feed/Me the name of the female lead/Is the right chick a light chick?” (9-10). This mix of rhyme and rhythm conveys Kevin’s quick wit, while Damien’s dialogue sometimes mirrors his friend but is most often measured, reflecting his logic: “The phone is quiet in my hand/I imagine her brown cheek against/The white pillow. Her voice still echoes/In my head. I have never heard a voice/Like hers before” (91). Here, his thoughts are careful, deliberate, and even-tempered, and the lines capture images of stillness and calm.
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By Walter Dean Myers