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Content Warning: The source text contains a graphic description of murder, as well as instances of substance use disorder and sexuality.
Amanda Pierce dies in the first pages of the book, in a hammer attack by the teenage son of one of her extramarital lovers. Unlike the novel’s other characters, she is never described by the omniscient narrator and does not appear in flashbacks, only in the memories and spoken accounts of the other characters. These secondhand portraits, however, are fairly consistent. Amanda was a physically attractive woman in her twenties, with long brown hair, a beautiful smile, and a powerful allure. She and her husband, Robert, lived in Aylesford only for a year, but in that time, she had relationships with two of their neighbors (Larry Harris and Keith Newell) and—by the neighborhood wives’ accounts—attracted the groveling attention of many more. Keith’s wife, Glenda, remembers Amanda’s flirting with all of the men at a neighborhood party while ignoring her husband. Amanda seemed to enjoy taking risks: Her affairs with Larry and Keith were conducted at the same time, a fact that she kept from both of them, and it was Keith’s emails to her, discovered by his son, that led to her murder.
Though married only two years, she and her husband have, by the time of her death, already retreated into their own worlds—which include extramarital affairs—and rarely communicate on a serious level. Instead, they play what Robert calls “games.” After Robert’s confiscation of her secret burner phone, which he finds by drugging her, she does not confront him about it, instead acting as if everything is “fine” (292). Since the novel provides no direct window into her thoughts, Amanda remains an enigmatic character. She seems not to have had any close friends, she consistently lied to her lovers, and even her husband seems not to have known her very well: Looking into her secret phone in the novel’s last pages, Robert discovers that she was “smarter than he’d thought” (292). She had been documenting some of his illicit, perhaps criminal, behavior on her phone. Though little, if anything, can be said of Amanda’s character because she is dead for the entirety of the novel, it is clear that she was in a marriage with a dangerous man, which offers possible motivation for her own affairs and escapes.
The main protagonist of the novel, as well as its moral center, Olivia lives in the suburban town of Aylesford and works from home as a part-time copy editor. The mother of a 16-year-old boy, Olivia has been married for 20 years to Paul, a pharmaceutical executive who is about 50 years old. One of the few characters in the novel who hates secrets and dishonesty, Olivia first reveals her strong moral sense when she suggests that her son apologize to the people whose houses he broke into, even though they are probably unaware that any break-in occurred. As she says to her husband, the homeowners should be told, for their own safety, that their computers were compromised and that “prank emails” were sent from their accounts. Her husband, however, thinks only of the consequences for their son, and perhaps the public embarrassment to himself. Aside from her belief in doing the right thing and owning up to all misdeeds, she worries about the cynical lesson her husband’s cover-up will teach their impressionable son; and indeed, after the lawyer is hired, Raleigh breaks into yet another house. Without consulting her husband, Olivia delivers anonymous letters to the two houses she knows her son has broken into, giving few details but warning the owners that their computers and email accounts have been tampered with—this is her compromise with her husband’s directive to admit no guilt. As it happens, her watered-down attempt to do the right thing has tragic results that she could not possibly have foreseen.
Perhaps as a result of her husband’s legal shiftiness surrounding Raleigh’s pranks, her bond of trust with Paul is weakened, so that when the detectives arrest him for Amanda’s murder, she harbors grave suspicions that he may be guilty. All the same, her own moral fortitude is not perfect, and suffers some lapses throughout the novel: After her meeting with Carmine Torres, who clearly suspects her of having written the anonymous letter, she panics at the thought that her son might be held accountable for what he did. When the police begin investigating Amanda’s murder, she gives no thought whatsoever to how Raleigh might help their investigation by confessing to his break-in, so his fingerprints can be eliminated. Still, of the eight suburban spouses featured in the novel (Amanda, Becky, Glenda, Larry, Paul, Keith, Robert, and herself), she is the most moral of the bunch: She has not had extramarital affairs, kept dark secrets from her spouse, murdered anyone, or disposed of a body.
Raleigh, Olivia Sharpe’s computer-savvy, 16-year-old son, complicates the novel’s murder mystery by compulsively breaking into his neighbor’s houses while they are away to hack into their computers. He does this to practice his computer skills, and for the sense of power and control it gives him. Voyeuristically, he also delves through his victims’ secret emails: This is how he finds out about Keith Newell’s affair with another woman, who turns out to be Amanda Pierce, leading to the solving of her murder. He apparently feels no guilt for his crimes, since—as he tells himself—he does no harm to his victims, so long as they do not find out; his only real concern is not getting caught. When his parents find out about one of his break-ins and take him to a lawyer, he says that he has only done it twice; the actual number is closer to ten. After promising that he will not do it again, he soon breaks into yet another house and almost gets caught by the owners. This scare, and the police’s subsequent discovery of his fingerprints in the Pierce house, seems to break him of his cycle of break-ins.
Though Raleigh commits no serious crimes, he serves as a window into the dark secrets of the suburbs, whose illusion of privacy can occasionally become deadly. He also reinforces the theme of teenage impulsiveness, since he shares several traits with Adam Newell, the killer of Amanda Pierce. In slightly different circumstances, the novel implies, Raleigh himself might have committed murder, rather than harmless break-ins. As it is, his impulsive acts lead indirectly to the killing of Carmine Torres.
Best friend and neighbor of Olivia Sharpe, Glenda has much in common with her, including a troubled 16-year-old son, a part-time job, and a husband to whom she has been married about 20 years. As the story unfolds, Glenda and her seemingly normal family symbolize what might have happened to the Sharpes, or to any number of suburban families, had things gone a little differently for them. Just as Glenda’s son, Adam, an impulse murderer, represents what Olivia’s son might have become, Glenda suggests a dark shadow of Olivia, who also becomes obsessed with protecting her son from the police. Though not revealed until the end of the novel, Glenda has covered up her son’s murder of Amanda by sinking her body and car in a lake and cleaning up the murder scene. The murder was carried out in the Sharpes’ cabin, which further links the two families, who sometimes vacationed together.
However, Glenda seems significantly more cold-blooded than Olivia. Unlike her friend, she felt no twinge of conscience when her son revealed his crime to her, but flew immediately, and with cold efficiency, into the coverup. Eventually, when Amanda’s blood is discovered in the cabin and Paul Sharpe is arrested for her murder, she continues to visit Olivia and make dinner for her, while seeming perfectly happy to let Olivia’s husband take the blame for her own son’s crime. Later, she murders Carmine Torres on the odd chance that she may have seen her son compromise himself. Through all of this, she projects a serenity and surface charm that seem no different from that of any sweetly smiling hostess of the American suburbs.
The coldly handsome husband of Amanda, Robert Pierce seems, for most of the novel, the character most capable of murder. A cautious man who carefully cloaks his feelings, even at his most enraged, Robert shows himself to be more patient and calculating than most of his neighbors. At the neighborhood yard party, he calmly watches as his wife crosses numerous boundaries in her flirtations with other men, showing no jealousy or anger. Later, however, he drugs her wine so he can search the house for her secret phone, to find the texts and numbers of her lovers. Serenely passive-aggressive, he casually seduces Becky Harris, his next-door neighbor, mostly as revenge for her husband’s affair with his wife. Later, when she threatens him with her knowledge of Amanda’s secret phone, he threatens her back, dropping his mask of warmth and boyish charm to chill her with a hint that he may indeed be a murderer, and that she may be his next victim.
Robert’s cold-bloodedness and duplicity, and his furious knowledge of his wife’s unfaithfulness, which he has concealed from the police, would seem to make him the leading suspect in her murder. Like the other neighborhood men who were involved with her, he has no alibi for the hours in which she was probably murdered. Not until the novel’s last pages, however, does the reader learn that Robert, though innocent of his wife’s death, has other secrets—whether sexual, financial, or worse, it remains unclear. Amanda’s burner phone apparently contains evidence of these secrets, and Robert, who suspects that Becky has stolen the phone to make more trouble for him, suddenly seems very dangerous again. His cold fury at Becky, methodically constrained by his desire to plot “his next move,” ends the novel on a clammy note of foreboding (292).
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