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41 pages 1 hour read

Ramona Forever

Fiction | Novel | Middle Grade | Published in 1984

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Themes

The Highs and Lows of Growing Up

In Ramona Forever, Beverly Cleary establishes a primary theme on the highs and lows of growing up. By portraying Ramona Quimby’s everyday challenges and triumphs, Cleary makes her a relatable protagonist whose childhood will echo the reader’s own experiences. This is important for the book’s role as a middle-grade narrative, especially the didactic and therapeutic purposes of traditional children’s literature. The novel casts many of the highs and lows of childhood as unavoidable parts of youth, especially as the result of children’s limited autonomy. This theme is focused on Ramona’s emotional responses to these events, the choices that she makes when dealing with her feelings, and the consequences of these choices. In other words, this theme promotes the novel’s message that well-regulated emotional control and adaptation is a key life skill, especially when an individual’s control over external factors is limited. 

As a result, Ramona’s “low” points in the story tend to be when she is in conflict with other people. For instance, when her babysitter is angry with her, Ramona becomes very upset: “Ramona sat, and Ramona seethed, angry at the unfairness of all that had happened” (21). Another low point for Ramona is her argument with Beezus, which worries Ramona for over a day as she stews in her guilt and anger: “Strangely, when Ramona’s heart was heavy, so were her feet. She trudged to the school bus, plodded through the halls at school, and clumped home from the bus after school” (54). In the first of these, Ramona has been treated unjustly, whereas, in the second, she has lost her temper and insulted her sister: Together, these episodes offer opposite sides to explore Ramona’s growing understanding of healthy emotional processing. 

It is also essential to this theme that the novel shows the regular challenges of life for a child, especially those that impact them but are outside their control. This encompasses the adult subjects of death, financial and employment insecurity, romantic relationships, and pregnancy, as seen through Ramona’s perspective. A key episode is the death of Ramona’s pet, Picky-picky. Ramona is alarmed by her cat’s sudden death, and a bit anxious about being near “the ghost of Picky-picky,” and she cannot “bring herself to lift the lifeless Picky-picky” (57). Sometimes Ramona’s challenging experiences include unexpected twists, showing her—and the reader—that life can be wonderfully unpredictable. For example, Ramona is initially horrified to learn that her Aunt Bea is dating Uncle Hobart: “She had that sinking feeling she always felt when she rode down in an elevator. She knew—she just knew—that Howie’s uncle was seeing her aunt” (82). However, in the end, she begins to like and respect Hobart, and their wedding day is a wonderful experience for Ramona, who considers it a “perfect day” (130). Thus, the novel shows that emotional intelligence and resilience are the way to navigate the highs and lows of growing up.

Similarly, Ramona is ambivalent about the idea of becoming a big sister, but soon grows to love her little sister Roberta and shares the family’s excitement about her. Meeting Roberta makes her feel “unexpected love and sympathy” for her little sister (145), who Ramona is now curious about. These events show that what Ramona sometimes expects to be “low” can become a “high” point for her, helping her learn to stay positive and open-minded to other good experiences on the horizon. Overall, an optimistic Ramona feels that she is “winning at growing up” (146), summing up the positive trajectory of this theme through the novel.

Children’s Perspectives on Relationships

By describing Ramona Quimby’s attitudes toward her sister, parents, friends, and neighbors, the author develops a theme on children’s perspectives on relationships. Cleary provides a vivid window into Ramona’s inner world as she describes her private thoughts about others, both good and bad, making her a relatable protagonist for young readers and a model through which they can explore the complexities of relationships. This theme presents multiple scenes and character dynamics to act as lessons to the reader, both positive and negative, fulfilling didactic and cathartic purposes.

Ramona’s perspective on conflict is particularly interesting as part of this theme. For example, when her babysitter punishes her, Ramona interprets her time-out as evidence that Mrs. Kemp’s response is personal: “Ramona was struck by a new and disquieting thought. Mrs. Kemp did not like her” (24). This realization prompts Ramona to refuse to return to Mrs. Kemp’s house. Ramona voices her opinion to her parents, revealing that the older lady “is never nice to me” and is “always blaming me” (31-32). This early episode represents Ramona’s changing perspective on the nature of relationships, especially with adults. The novel shows Ramona realizing that adults, just like Ramona herself, may behave without impartiality. This realization about others prefigures Ramona’s dislike of Uncle Hobart and her eventual realization that she, too, has prejudged a person.

The novel’s presentation of Ramona’s interpretation of others’ actions acknowledges that children may experience adult behavior very differently from how it is intended. For example, Uncle Hobart thinks he is joking with Ramona, but she perceives his actions as “teasing,” which she immediately resents. Uncle Hobart thinks it is funny to refer to her as “Howie’s girlfriend,” but Ramona interprets his teasing as an insult. She “turned red and felt somehow ashamed” and immediately decided that “she did not like Uncle Hobart and never would” (14). These private thoughts show that Ramona’s dislike of Uncle Hobart is a response to her fears and uncertainty around the nature of adult relationships, especially sexual or romantic dynamics. This prefigures Uncle Hobart’s role as the romantic partner of Aunt Bea who will take her away from the family, symbolizing childhood perspectives on family versus romantic or sexual love.

Ramona’s reflections on her relationship with Beezus also help the reader see their sisterly conflict from her point of view as the younger sibling. When she is fighting with Beezus, she believes that Beezus is being too bossy and harsh to her. Ramona feels like her insult was accidental while Beezus’s remarks were not: “She had hurt her sister’s feelings accidentally; Beezus had hurt hers on purpose, and she didn’t even care that Ramona was dripping blood. She was probably glad. Bossy old Beezus” (47). However, unlike her conflicts with Mrs. Kemp and Uncle Hobart, Ramona feels badly about her anger toward Beezus: “[S]he felt so terrible, even though she was angry, about hurting her sister’s feelings in a way she had not intended” (48).

Ramona’s reactions to conflict add realistic detail to the author’s theme on children’s perspectives on relationships, helping the reader see the world from Ramona’s point of view.

The Bond Between Siblings

In Ramona Forever, Beverly Cleary portrays Beezus and Ramona’s sisterly bond as constantly shifting, yet unbreakable. The novel portrays an archetypal big-and-little-sister pairing: Beezus and Ramona experience the usual friction between siblings, as Beezus tries to assert her authority and Ramona tries even harder to avoid it. Ramona resents Beezus’s attempts at being parental toward her and envies Beezus’s independence and freedom. Ramona doubts she will enjoy being babysat by Beezus, since “Beezus would act big. Beezus would be bossy,” (33) but she also acknowledges that Beezus has offered a solution that is helpful to Ramona. This early episode encapsulates the dynamic between the sisters, especially—through Ramona’s narrative perspective—the pros and cons of having an older sister.

Despite their disagreements, the novel shows that Beezus and Ramona always manage to find some common ground. This is part of Cleary’s portrayal of positive emotional resolution. Even when Ramona is upset with her big sister, she still quickly responds to her call for help, showing her underlying loyalty, even in bad times: “‘Ramona!’ screamed Beezus. ‘Come quick! […] frightened, Ramona ran down the basement steps, skipping the last two and jumping to the concrete floor. Her sister needed her” (55). Ramona’s excitement to make up with Beezus reveals her enduring love for her sister: “Now that Beezus was speaking to her, Ramona was eager to do her part” (58). While Ramona is “not used to saying she was sorry, especially to someone who was bossy” (52), she still manages to apologize to Beezus for being rude, showing that it is important to her to be on good terms with her sister. The novel indicates that the sibling relationship is stronger than the individual tensions it may contain. 

Likewise, Beezus shows her loyalty to Ramona by helping her with things she would struggle with on her own, such as hemming up her bridesmaid’s dress and brushing her hair. When Ramona needs help with her wedding shoes, Beezus comes up with a quick plan, hiding the shoes in a bouquet. Their disappearing shoes soon become another one of their secrets, and they emphasize their growing closeness through the novel. Beezus also confides in Ramona about things that she would not reveal to her parents. For instance, she stops being friends with Pamela because of her snobbery toward Mr. Quimby’s working-class job. Ramona agrees with Beezus, saying, “Pooh to old Pamela” (35), and she says she will copy Beezus and not speak to Pamela either. These secrets show that both girls trust the other to not reveal what they share in private. By describing how their partnership survives fights and misunderstandings, Cleary showcases the unique bond between siblings through Beezus and Ramona’s loving relationship.

The plot point of the new baby, which shapes the narrative arc, is important to this theme. The future arrival of a new younger sibling is initially presented as upsetting Ramona’s sense of herself as “the baby,” but the actual arrival of a new sister provides a shared experience for Ramona and Beezus: They are now both older sisters. This is emphasized by the fact that the new baby is a girl, as Ramona will be able to fulfil the role of older sister to Roberta, as Beezus has done before. This shift in roles emphasizes and symbolizes Ramona’s increased maturity at the novel’s conclusion.

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