54 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
A key theme in On the Road is friendship. The close friendships that Sal forms with Dean and the other characters bind them together. The friendship group that includes Sal, Dean, Carlo, and Roland comes together in multiple cities at various times, which shows that the bond between them defies simple geography or opportunity. Sal chases off across the country in search of these friends, and when they’re not with him, he misses them terribly. Denver feels cold and empty to him without his friends, suggesting that friendship rather than some innate quality of the city is what matters. The many intertwining and interconnected friendships are the bedrock on which the narrative is built. The novel illustrates how these friendships give meaning to the places the characters visit and the journeys they take.
The closest friendships in the novel are often the most intense, and most involve Dean. At first, Carlo Marx is closest to Dean, and they have long, interrogating conversations that last until dawn. They share everything together, to the point that they may as well be talking nonsense. Though they extract meaning and substance from these sessions, anyone who watches is bemused and then bored. Friendships like Dean and Carlo’s are more meaningful to those involved. Similarly, Dean and Sal’s friendship means far more to them than to anyone else. On many occasions, Dean abandons his wives and children to spend time with Sal. Likewise, Sal abandons other relationships to spend time with Dean. They forgo sex and romantic relationships to go on the road together. The intensity of this friendship makes the novel’s end even more poignant. Throughout the narrative, Dean and Sal crossed the country to be together. Though Dean occasionally betrayed or annoyed Sal, they always reconciled their differences. However, the friendship ultimately burns itself out. Sal leaves Dean standing on a street corner and drives away. He makes one final journey, one that takes him away from (rather than closer to) Dean. On the Road celebrates the intense friendship between Dean and Sal but then mourns its demise.
Importantly, the most intense friendship in the novel is between two men who are searching for a substitute family. Sal lives with an aunt rather than his parents and only references family members in passing. Dean was brought up by his alcoholic father, who mistreated and abandoned him and still casts a shadow over Dean’s life. Both Sal and Dean find comfort in one another, replacing the closeness and the intimacy of a family relationship with their love for one another. They become brothers, in a sense, because they can give one another emotional support and share catharsis in a way that their families never could. In this family context, Sal’s constant appeasement of Dean’s unruly behavior makes more sense. Their relationship is deeper than two male friends. They’re family members, bound together by more than just their shared interests. Sal will never stop thinking about Dean in a way that is different to his other friends. Dean’s friendship came to define him and left an immutable impression on his life.
Travel plays a significant role in the novel, so much so that each main part focuses on a different journey across the US and Mexico. For Sal and his friends, travel is a form of freedom. A journey allows the characters to break out of their dull, mundane lives and embrace an exciting and unknown future. Everything seems possible to those traveling across the vast expanses of America, so Sal feels an urge to travel whenever he stays in one place for an extended period. Each journey is an expression of a desire for freedom, as the characters move between many of the same destinations repeatedly. The destinations are not as important as the journeys that bring the characters to one another. Traveling is a form of liberation, moving from one part of the country to another without any real aim other than to enjoy the trip. In Sal’s mind, freedom and liberation are not specific destinations but simply part of the journey. The title On the Road is an expression of this, as the road offers everything that Sal wants from life. The road is where he’s happiest and feels the freest.
Consequently, travel in On the Road often lacks a clear direction. The characters travel for the sake of traveling, heading out on the road simply because they become bored with their current location. Occasionally, they have a pretext for traveling. Sal might want to visit friends in Denver, or Dean might want to find his father. However, these goals often obscure their real purpose, which is an excuse to travel again. This sentiment is true whenever Sal stays in one place for too long. He stays in California with Terry, lives in New York with his aunt, and finds a steady job in Denver, but each time, he feels the urge to travel again. Even within one place, characters constantly travel. They go from one party to the next, hopping from location to location as though unable to settle down.
Additionally, the novel’s structure reflects the theme of constant travel. Sal lacks any real purpose or goal throughout the narrative, which meanders and moves relentlessly forward without any real structure. The narrative is as freewheeling and as chaotic as the road trips, leaping forward in constant rush that is much more about the journey than the destination. The final journey brings closure to the narrative. As Sal leaves Dean standing on a street corner, he travels in a different direction. Sal has decided to settle down with Laura, meaning that his journey and Dean’s journey are now taking separate routes. Whereas they previously traveled together or toward one another, now they travel apart. The act of travel, which has defined their lives, does so once again but in another way. Sal stops his life of constant travel by traveling away from Dean. His final journey is a slow, sad expression of a life he must leave behind.
Contained within the narrative of On the Road is an exploration of America in the middle of the 20th century. Sal travels across the US (and to Mexico) and gains an understanding of the different facets and scope of American life: He visits vast, empty stretches of countryside and also densely packed cities; he experiences wealthy parties and also poor shanty towns. In addition, the trip to Mexico provides a point of contrast with the US, teaching Sal about his home country as he notices all the differences between the two. Exploring America alludes to the idea of the frontier in the sense of unexplored land. Sal’s journey embodies this idea in an abstract more than a geographical sense. He reaches the West Coast and then rebounds to the East Coast; he travels through the South and the Midwest, constantly searching for new and interesting ideas. Sal seeks an American frontier that exists in his mind, an understanding attainable only by visiting everywhere and experiencing everything.
As much as Sal searches for some abstract idea of America, he wants more. The calm, normal life he leaves behind when he first meets Dean is the same life to which he returns at the novel’s end. Though he has spent many years disregarding the expectations of American society, he eventually conforms. He thinks about marrying Laura, he finds a job, and he decides to settle down. Sal spent years searching for a new and interesting American frontier but in the end returned to what he knew best. His desire to better understand America floundered in comparison to his understanding of himself and Dean. Sal comes to realize that places and ideas are not what makes America. He doesn’t need to strive for new and exciting opportunities in unknown towns and cities. Instead, America is a strangely woven tapestry of its inhabitants. To Sal, America is Dean, Carlo, Marylou, Eddie, and everyone else he met along the way. Ultimately, the idea of America in On the Road is not a place or a thought but the complex characters that inhabit the society. To Sal, people are the true expression of America.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Jack Kerouac