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Use these essay questions as writing and critical thinking exercises for all levels of writers, and to build their literary analysis skills by requiring textual references throughout the essay.
Scaffolded/Short-Answer Essay Questions
Student Prompt: Write a short (1-3 paragraph) response using one of the below bulleted outlines. Cite details from the play over the course of your response that serve as examples and support.
1. The central dilemma that Dana faces is her obligation to save Rufus Weylin in order to avoid a time-travel paradox despite the fact that he is a slave owner.
2. Dana’s marriage to a white man is controversial, even in her time.
3. In the nineteenth century, Dana is frequently mistaken for a man or chided for wearing a man’s clothes.
Full Essay Assignments
Student Prompt: Write a structured and well-developed essay. Include a thesis statement, at least three main points supported by text details, and a conclusion.
1. Kindred can be read as an allegory for the traumatizing reality of Black history in America. How is Dana’s journey into the past—and her obligation to the man who owned and brutalized her ancestors—a representation of the lingering effects that Black people face in America? How does Dana navigate her responsibility to the past and the guilt of existing outside of it? Please use specific evidence from the text in order to formulate your response.
2. As Dana becomes a fixture in the community at the Weylin plantation, many Black characters begin to resent her. Where does this resentment come from? How is Dana caught between the enslaved people on the plantation and the Weylin family? How does this demonstrate the complex power dynamic between enslaved people and their masters?
3. Dana’s education, most of which comes from a fairly standard upbringing in her era, becomes very useful to the Weylin family, but Tom and Rufus are deeply suspicious of educating the enslaved people on their plantation. Why is this, and what does Kindred have to say about the value of education as a means of gaining agency?
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By Octavia E. Butler