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One of the most continuous symbols in this collection is dragons. Some of the stories in which dragons appear are “Cloud Dragon Skies” and “The Storyteller’s Replacement.” In both these stories, dragons seem to represent a connection between the old world and the new, almost as if they are bridges connecting the past to the future.
In “Cloud Dragon Skies” Nahautu keeps seeing clouds in the shapes of dragons. She tries to tell a Sky-Person about her sightings, but they cannot see the same thing as her; they only see the clouds. This shift in perception appears to be due to whether the character’s focus is on the future, the past, or both. The Sky-Person does not care about the past or keeping it intact, therefore they can only see clouds—not the dragons which link past and future. Nahautu, however, is stuck between her past (consisting of a beautiful blue sky and a strong relationship with her father) and the future (consisting of a red sky with no father but a lover instead). The decisions she makes are based on both future and past; therefore, she can see the dragons which connect them.
Dragons are also a main symbol in the story “The Storyteller’s Replacement.” King Paramenter is constantly hunting dragons, though they are a dying breed, in order to restore his libido. The dragons are considered especially unique now because they are quickly becoming relics of the past, while helping to fortify the future by aiding men’s libidos. This bridge between antiquated creatures and the birth of new ones proves again that in this collection, dragons are meant to symbolize a connection between past and present.
Many colors function as symbols in this collection; red, white, and blue are the most prevalent. The fact that these colors are America’s colors is no coincidence, considering that much of the text is dedicated to a scathing critique of America.
Blue appears often and appears to indicate some sort of warning. For example, the blue sky in “Cloud Dragon Skies” may first appear to be the cool, calming blue typically associated with the sky, but it’s clear by the end of the narrative that the blue was just a warning color for future disaster. Indigo, a shade of blue, is also the color of Namsut’s veils in “The Narcomancer.” Namsut ends up leading to Cet’s death so once again blue appears to exist as a warning.
Red also regularly comes up and appears to be a sign that something isn’t right. An example is the red dirt in “Red Dirt Witch.” The fact the whole town stands on red dirt indicates that there is something wrong with the town. In this case, rampant racism is the something about which the red flags warn. In “Cloud Dragon Skies,” when the sky turns from blue to red it’s clear that something is not right. In this case, it means that the Sky-People messed with the sky’s chemical composition. In “Walking Awake,” Enri is dressed in red when he goes to have his body transferred to someone else. Again, red indicates something wrong—an innocent child is about to lose control of his body.
White is almost without question a sign of evil. The White Lady in “Red Dirt Witch” is evil in her treatment of Emmaline and of small black children. The Order of the White Camellias, mentioned in “The Effluent Engine,” is also evil as they are white supremacists who stop at nothing to exterminate other races. Additionally, the white truffles Franca uses in her recipe are poisonous and easily capable of killing. The negative connotations of all three colors propagates the message that America is often a place of negativity.
In this collection, the sky is often a symbol or reflection of what lies beneath it. The sky’s ability to reflect what is below points to a larger theme in the book: Everything is connected. In “Cloud Dragon Skies,” when the humans are peaceful and not interested in gaining power over the universe, the sky remains calm and blue. However, when the Sky-People get involved and start causing division between the humans and trying to exert power over the universe, the sky turns lethal and aggressive. The sky in “Sinners, Saints, Dragons, and Haints, in the City Beneath the Still Waters” also appears to reflect the city beneath it. Trapped in the turmoil of racism, sexism, and classism, the sky appears to encapsulate this same turmoil by producing a hurricane. Additionally, in “The City Born Great,” a story in which New York City is suffering an epic attack, the sky reflects the violence below.
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By N. K. Jemisin