45 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Although he believes he needs to end things with Hannah for her own good—so he can’t harm her with his reputation—Fox spots Hannah in a flashy turquoise dress in Cross and Daughters and can’t resist going in to see her. Hannah guesses that he is going to break up with her. She asks him for a good night kiss, but just then Piper rings the bell for last call, and Hannah walks out.
Hannah feels like her heart is breaking. She knows she should respect Fox’s not wanting to be in a relationship, but when he comes to the door of her room and tries to stop her from leaving, she gets angry. Wanting to show him what he’s missing, she takes off her dress to taunt him, and Fox pounces. They make love, and Hannah thinks of herself as a fighter in the ring, about to go down—but a leading lady wouldn’t quit. She dresses and tells Fox she’s not giving up on them and she’ll wait until he pulls his head out of his ass. Then, she leaves.
Fox realizes he needs to do what Hannah said and clear his head. He drives to his mother’s. They talk, and Charlene tells him how it hurt her, as a mother, to see Fox be pushed into being sexual at a young age because everyone expected it of him based on his father and his looks. She feels guilty that she participated by giving him money for condoms. She flinches when she sees him now because of her own part in leading him to believe that he is only capable of casual relationships. She tells him he shouldn’t worry about what other people think.
Fox falls asleep on her couch, and when he wakes up, he calls Hannah. The call goes to voicemail, and he tells her he loves her and wants to be with her. He asks her to get off the bus to LA and he will come get her. On his drive home, Fox takes off the leather bracelet he wears to remind himself of his father and throws it out the window of his truck. He enters his apartment to find Hannah there, listening to his records. He puts on Al Green’s song “Let’s Stay Together” by way of apology. Then Fox takes her into the bedroom and tells her they can find a place to live that is between Westport and Seattle. He plans to hold on to her, and Hannah says she will hold on, too.
Ten years later, Hannah is returning home from a business trip. She and Fox have a house in Puyallup, Washington, where they live with their two daughters. Fox is captain of the Della Ray, and Hannah runs a business, Garden of Sound, that connects musicians with film production companies. It is near Christmas, and Piper and Brendan and their two kids, along with Charlene, are coming to visit. Hannah is alarmed to find a giant moose in their yard. When Fox comes out to rescue her, they slip and fall in the snow. Laughing, they embrace and reaffirm their love.
After the reversal or denial of love, the romance plot demands reconciliation between the lovers, typically after one or both achieves a final state of recognition. Hannah is grounded and secure in who she is, and she is able to weather Fox’s veering about, overcome by his feelings. Like a captain, she steadies the ship of their relationship. When he wants to sever things but still proves that he desires her, Hannah gives him an ultimatum and tells him, essentially, to figure things out. Once again she sets the terms of the relationship and inspires Fox’s last stage of emotional maturation, which requires him to come to terms with his past and the Psychological Scripts and Limiting Beliefs that past has instilled in him.
Fox achieves this reckoning with the help of his mother, who apologizes for her role in allowing, if not encouraging his sexual behavior and letting his limiting beliefs take root. Ditching the leather bracelet and the self-imposed demand that he behave like his father signals that Fox has finally reached a level of emotional maturity and self-acceptance that makes him a worthy match for Hannah. The return to Westport, to the apartment where most of their emotional milestones have taken place, represents a completion of his arc and acts as the site of reconciliation. He finds Hannah with his record player—the record player he bought to show her that he is, or wants to be, the man for her. Hannah chooses to trust their relationship rather than leave, and their sexual reunion confirms their emotional commitment to one another.
The Epilogue shows that the couple has built a happy life together, and that both protagonists have realized their individual career goals while meeting one another’s emotional needs. The wandering moose is a comic incident that represents the surprises of life. The setting near Christmas time confirms the close-knit nature of the family, who is gathering for the holiday. The Epilogue ends the novel with the most definitive element of the romance genre, the Happy Ever After (HEA).
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Tessa Bailey