57 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This guide’s source text discusses abuse of prescription substances and alcohol, suicide, physical and sexual abuse of children, violence, and sexual assault. The source text relies on anti-Black stereotypes and contains some anti-Black epithets.
Straub uses weather throughout the novel as a symbol of the shapeshifter’s power. The weather takes on the role of an antagonist, driving the citizens of Milburn further into isolation and terror. The word snow appears hundreds of times in the text. Omar Norris runs the snowplow nonstop, leading to his death. The shapeshifter brings a sunny weather patch, lulling Milburn into a false sense of security. This lull leads directly to Lewis’s death.
The final journey of Ricky, Don, and Peter forces them through the blizzard to the Hollow. The shapeshifter uses the weather as a defense, trying to keep herself isolated from the threat of their attack. The weather embodies her other worldly power, supernatural and unconquerable. Straub uses the weather to express the isolation and unending attack caused by the shapeshifter.
Ghost Story employs the woods and natural imagery to represent the wildness and eerie quality of the protagonist’s central foe. The density of the woods surrounding Milburn further adds to its isolation. Don describes a “sense that the woods around the town are stronger, deeper that the little grid of streets people put in their midst” (181). This passage echoes the Chowder Society’s struggle against the shapeshifter. The monster has existed for longer than they have; it crowds around them, drawing in closer. The town can only struggle to maintain what little hold they have over their home.
The images of the woods show the growing fear and anxiety the Chowder Society experiences. In Ricky’s first walk through town of the book, he notices the trees whose branches “had turned and now black skeletal arms and fingers, the bones of trees, hung against the leaves” (44). Lewis experiences a similar vision on his run, “a vast belt of trees and vegetation, silent wealth through which moved only himself and Indians. And a few spirits” (114). Straub uses the woods as a symbol of the eternal and supernatural, a power over which man has no control.
Straub makes multiple references to movies and cinema throughout the novel. He calls on the surreal and uncanny in the movies to support the blurred lines between reality and imagination. The first cinema reference is to “Pandora’s Box,” causing the image of terrors released by curiosity to add to the mood of the novel. This movie supports the central idea of the dangers of imagination and curiosity, but also their inherent value in defeating evil. Much like hope in the box, hope stays with the Chowder Society as they fight back against the shapeshifter.
The theater in Milburn shows horror movies for months as the storm closes in around the town. This symbolizes the inescapable nature of the monsters loosed on town. The echo of Night of the Living Dead while Don, Ricky, and Peter face the Bate brothers underscores the ways to endure their attack. Straub uses the symbol of movies to show Ricky the future of the Scales family and the threat to his friends. The shapeshifter appears as an actress, underscoring her constant acting and adding to her wit. The movies allow a sense of blurring to happen between real and surreal, a place for the supernatural to meet the real.
The Narcissus myth as written by Ovid is quoted twice in Ghost Story. Straub uses Narcissus to symbolize the innocence the town of Milburn loses in its fight against the shapeshifter. Narcissus morns for his loss of innocence as he gazes upon his reflection in the pond. This scene is echoed when Ricky and Peter confront the mirror in Anna Mostyn’s house. When he looks into the mirror, Ricky sees his friends’ deaths and Elmer Scales walking across his field with a shotgun. These two images rob Ricky of any sense of innocence in the events that brought Milburn under siege. Peter’s reflection tells him to kill his friends, showing the innocent cowardice that protected him when his best friend, Jim, was murdered. Straub connects vanity to the pride and shame of secrecy. Peter hides form his cowardice; Ricky hides form his guilt.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Peter Straub
Aging
View Collection
Appearance Versus Reality
View Collection
Art
View Collection
Beauty
View Collection
Books on Justice & Injustice
View Collection
Books that Feature the Theme of...
View Collection
Books that Feature the Theme of...
View Collection
Brothers & Sisters
View Collection
Challenging Authority
View Collection
Earth Day
View Collection
Equality
View Collection
Fantasy
View Collection
Fate
View Collection
Fear
View Collection
Friendship
View Collection
Good & Evil
View Collection
Grief
View Collection
Guilt
View Collection
Hate & Anger
View Collection
Horror, Thrillers, & Suspense
View Collection
Loyalty & Betrayal
View Collection
Marriage
View Collection
Memory
View Collection
Mortality & Death
View Collection
Mothers
View Collection
Music
View Collection
Mystery & Crime
View Collection
Order & Chaos
View Collection
Power
View Collection
Pride Month Reads
View Collection
Pride & Shame
View Collection
Religion & Spirituality
View Collection
Revenge
View Collection
Safety & Danger
View Collection
Science Fiction & Dystopian Fiction
View Collection
Teams & Gangs
View Collection
The Past
View Collection
Trust & Doubt
View Collection
Truth & Lies
View Collection