logo

18 pages 36 minutes read

Epilogue

Fiction | Poem | Adult | Published in 1977

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Literary Context

Robert Lowell was considered a major figure of Confessional Poetry. Confessionalism is an American school of poetry from the 1950s and 60s which foregrounds the poet’s personal experiences. Broadly defined, Confessional poetry lays bare the most intimate and personal events and thoughts of the poet writing, even to the point of broaching taboo subjects like sex or mental illness. In part, Confessionalism positioned itself as a counterpoint to the idealized domestic life of the 1950s, working to deconstruct the perfect suburban American dream. Like many artistic movements, the Confessionals were named and grouped together as such by outside critics rather than by themselves. Anne Sexton, John Berryman, W.D. Snodgrass, and Sylvia Plath were Lowell’s peers and major figures of Confessionalism.

“Epilogue” was published as the final poem in Robert Lowell’s final book of poetry, Day by Day. Published in 1977, the year of Lowell’s death, Day by Day was Lowell’s only book that contained only free verse. As one of Lowell’s more well-known poem’s, “Epilogue” famously grapples with Lowell’s relationship to confessionalism. After a poetry career that (among other things) was notable for its radical infusion of Lowell’s autobiography and intimate experiences, “Epilogue” is an honest examination by an artist of his own artistic career and its relation to the Confessional label applied to it.

Art Allusion Context

Much of the second half of “Epilogue” is dominated by its vivid image of the Vermeer painting. According to contemporary British poet Carol Rummens, the most likely candidate for the Vermeer painting in question is the 1963-64 Woman in Blue Reading a Letter. The particulars of this painting and its relationship to Vermeer’s art career provide helpful context for Lowell’s reflection on documentarian art in “Epilogue.”

Johannes Vermeer (1632-1675) spent his brief but influential life and art career in the city of Delft, Holland. Considered an important figure in Dutch Baroque painting, Vermeer is known for his painted scenes of everyday, domestic middle-class Dutch life. Woman in Blue Reading a Letter is an intimate scene of a woman, who is possibly pregnant, reading a letter that is possibly from a lover. The light Lowell describes, which enters from the top right portion of the painting, falls over the scene and casts the large map partially visible on the wall in soft blues and purple hues. The painting is notable for both its intimacy and the way in which the surrounding light and shadows works to exemplify the inner experience of the painting’s subject. This relationship between precise depiction of everyday experience and artistic commentary mirrors Lowell’s own artistic ideals.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 18 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools