76 pages • 2 hours read
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Genie and Ernie get up early the next morning to sneak the dead bird out of its cage and throw the body into the woods. They go to the old house in the woods. The house has a massive tree growing in the middle of it, and many birds live inside it. The boys are revolted to see some birds eating the corpses of other birds and the copious bird droppings all over the house. Genie realizes that none of the birds could replace Brooke’s dead bird—none of them is a swallow. Brooke would hear the difference in birdsong, so the boys decide not to attempt to catch one. The only signs of people in the house are old beer cans, cigar stubs, and some birdcages that look like the ones Brooke currently has in the sunroom.
When the boys get back to their grandparents’ house, their grandmother asks where they were. They tell her about the old house. Genie thinks the beer cans and cigars were from Crab, which angers their grandmother—the old house belonged to Brooke’s parents. Brooke’s father was affected by his service in World War II, eventually committing suicide in a nearby river.
Genie worries about the missing bird and desperately hopes that a swallow will spontaneously land near him so he can trap it and put it into the cage. He also spends time with Brooke in the sunroom, where they talk about Ernie’s upcoming 14th birthday. Brooke explains that he started a tradition of teaching his sons and the neighborhood boys (including Crab) to shoot a gun when they turned 14. The tradition began in response to the murder of a 14-year-old Black boy for supposedly whistling at a white woman. Over the years, it’s just become a rite of passage.
Genie, Ernie, and Tess build a live trap at the old house in the woods, and Genie waits anxiously for it to catch a swallow.
During one of their evening conversations, Brooke asks Genie to organize the money Crab has brought by folding down different corners to indicate which denomination each bill is. The task keeps Genie up late, so he misses going to the market the next day with Ernie and his grandmother because he oversleeps. When they get back, Ernie tells him that Binks the tooth seller is also a dentist.
The boys have been in Virginia for two weeks. They talk on the phone to their parents, who are about to leave for two weeks in Jamaica. Brooke tries to jump in on the phone conversation to talk to his son, but the boys’ father eludes him, just as he has during Brooke’s previous attempts.
Ernie’s birthday is the next day, the Fourth of July, so when Crab comes in to pay Brooke for using his land, Brooke asks him to teach Ernie how to shoot since Brooke can’t. Ernie is reluctant. When Crab asks why he should teach Ernie, Brooke reveals that he knows that Crab’s been cheating him by telling him that he’s been paying more than he actually has. (That’s why Brooke asked Genie to fold down the corners of the bills.) Crab storms out.
The boys talk about the prospect of Ernie learning to shoot. Unlike his brother, Genie is excited by the thought and wants Ernie to participate in the ritual.
The boys’ grandmother wakes them up early on the morning of Ernie’s birthday and takes them outside to set off fireworks. Crab decides to take Brooke up on his demand to teach Ernie how to shoot. When Ernie tries to get out of the shooting lesson, Crab taunts him about being scared. To save face in front of everyone, especially Tess, Ernie agrees to go through with it. Ernie, Genie, Crab, and Brooke go out near the old house in the woods where Brooke would traditionally give the shooting lessons. Genie realizes that all his nighttime walks with Brooke were preparing Brooke to come here for Ernie’s birthday.
Brooke insists that Ernie use his revolver, a family heirloom, so Crab shows Ernie how to use it. Brooke shoots a couple of bullets straight overhead, just because he misses the feeling of shooting. Ernie becomes increasingly nervous and trembles as he holds the gun. When he finally pulls the trigger, the gun jerks back and hits him in the face, knocking three teeth out. Genie, Ernie, and Brooke become hysterical—Brooke because he can’t see what’s going on, Ernie because he’s scared and in pain, and Genie because he’s worried about his brother. Crab hustles them all back to the house.
The shooting scene is the novel’s pivotal event. The surrounding conflicts reveal to Genie several transformative ideas, underscoring the novel’s firm rooting in the coming-of-age genre, which often describes characters learning to trust themselves rather than an exterior authority. First, Genie understands that Ernie fearless demeanor often hides his struggles with fear and is a mask he puts on to soothe Genie’s own fears. Second, Genie realizes that listening to his inner voice about what is safe and not safe is more important than conforming to what other people say. Finally, Ernie’s actions under duress introduce the idea that courage can include not taking action as well as performing a feat that others might consider brave.
Crab is a symbol of traditional, aggressive, and ultimately harmful masculinity. Coarse, unkempt, and dishonest, Crab has rudely left a mess at the old house in the woods, using it as a place to drink and smoke rather than respecting Brooke’s veneration of the place as the setting for the shooting ritual and a memorial of sorts to his parents. Crab taunts Ernie for his fear during the shooting rite, trying to cow the boy into ostensibly macho behavior. However, the very fact that Crab is involved with the shooting because of Brooke’s disability signals that Reynolds means for the reader to question the merit of the ritual.
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By Jason Reynolds
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