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Theseus hosts the characters at his palace. With Hippolyta, he discusses the story of how they found the young Athenians in the woods and the possibility that the fairies had a hand in the youths’ situation. Theseus does not believe this, as he thinks the youths were simply confused by the darkness and the strength of their emotions. Hippolyta points out that Lysander, Demetrius, Helena, and Hermia all told the same story, even though they did not confer with one another. She believes this adds credence to the possibility of a magical mix-up.
Helena, Hermia, Lysander, and Demetrius arrive. Theseus is happy to see them and suggests that they spend the evening watching a play. He calls on Philostrate to list all the plays that they can view. As Philostrate works through the list, Theseus dismisses each one. Philostrate has one final proposal: A group of local laborers have been working on a production of Pyramus and Thisbe. Philostrate warns that the play is awful and advises Theseus not to watch it. Theseus dismisses Philostrate’s criticisms. He believes that if the laborers are sincere and dutiful, then the play will have some good qualities no matter how terrible the performances are.
The nobles take their seats to watch the play. Quince arrives and delivers a prologue. Quince warns that the play is not real but delivers several of his lines incorrectly. The play begins, with laborers playing roles such as the wall and the moonlight. The clumsy, absurd production causes the audience to joke with one another. The strange pronunciations, speeches, and mistakes make the audience laugh. Bottom is the most absurd of all the characters. In the role of Pyramus, he delivers confusing and meaningless statements. Snug, in his role as the lion, enters the stage, roars, and then assures the audience that he is not really a terrifying lion. The lion mauls Thisbe, who survives but runs away and leaves behind her bloody clothes. Pyramus finds the bloody clothes, assumes that Thisbe is dead, and dies by suicide. Thisbe discovers Pyramus’s body and also dies by suicide. At the end of the play, Bottom asks the audience whether they would like an encore. Theseus requests a dance, so Bottom and Flute perform one. Afterward, everyone departs for bed.
Puck enters and declares that night has fallen. At night, Puck explains, the fairies will come to the castle and clean the entire building. Oberon and Titania enter, issuing a blessing on the palace as a wedding gift. Their blessing ensures that the newlyweds will always be faithful and honest with one another, that they will have beautiful children, and that no harm will fall upon Hippolyta or Oberon. After Oberon and Titania depart, Puck speaks to the audience one last time. He tells the audience that if the play has offended them, they should regard everything that they have seen as a dream. He bids goodnight to the audience and, if they are true friends, asks for their applause.
Act V returns to the ordered world of Athens. The characters leave the wood, the fairies, and the magic once and for all. This return is marked by the reappearance of Theseus and Hippolyta, who represent the ordered society of Athens, with its rules and expectations. Tellingly, Theseus struggles to believe the stories of magic and chaos. He is the ruler of Athens and the embodiment of the city’s ordered society; his disbelief is a rejection of chaos in favor of order. Hippolyta is less certain. She is not from Athens and is not as entwined in the social order. She notices that Demetrius’s experiences in the woods have changed him, so she speculates that something untoward might have occurred.
Fortunately for Theseus, the magic’s lingering effects on Demetrius benefit the Athenian social order. Previously, the complicated romantic situation with Hermia, Lysander, Demetrius, and Helena threatened to disrupt this normal way of life. Hermia’s refusal to marry Demetrius led her to defy the patriarchy in the form of both her father and Theseus. However, with Demetrius now in love with Helena, this issue is neatly sidestepped. Demetrius can marry Helena, leaving Hermia free to marry Lysander. Ultimately, the chaos of the fairies and their magic spells serves to preserve the order of Athenian society. Rather than being opposites, chaos and order coexist and benefit one another, fusing into one beneficial resolution.
The performance of Pyramus and Thisbe is a final twist in the depiction of magic and reality. The performance is an example of a play within a play: The audience watches as the characters become characters in their own theatrical production, giving characters such as Bottom a dual identity and drawing attention to the artifice of the play the real-life audience is watching. Adding to this irony is the tragic end of Pyramus and Thisbe. While the ending of the play most obviously echoes Romeo and Juliet (Shakespeare’s adaptation of a story that evolved from the Pyramus and Thisbe myth), it is also a reminder of what might have happened without the events of the previous night. Only the intervention of the fairies defused the tense situation between Lysander, Demetrius, and Hermia. Without Puck’s spells and pranks, Demetrius and Lysander might have killed one another. Furthermore, Hermia might have continued to defy Theseus and been executed. The play within the play is a casual reminder to the audience that the resolution of A Midsummer Night’s Dream may technically be comedic, but that it could quite easily have become a tragedy.
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