47 pages • 1 hour read
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Jess sets a plan in motion, which leads to the group publicly stating they saw an Angel that looked like Matt Damon. They agree because they can’t see a way out of it and also because they will get paid. Their participation in Jess’s lie is a sign of how little self-respect they each have, but also a hint that they may want to keep living. After all, if they were suddenly about to kill themselves, there would be no point in doing anything for money.
Because they profess that the angel told them not to kill themselves, and that they have more work to do on earth, each character is forced to think about why an angel might have said such a thing. They must face the question of whether their lives can be salvaged. When Jess reveals that the angel story was a lie and exposes them all, the angel gives everyone who read the story a reason to dismiss the four of them as crazy. This is one of the moments when their bond deepens and they realize that there is no one outside of their group who understands them as well as they understand each other. They continue to see each other despite not feeling any obvious fondness towards one another.
Jess’s mother frequently returns—at least, Jess claims that she does—to the subject of Jen’s earrings. After Jen left, her favorite earrings were on her nightstand and no one moved them. But several weeks later they disappeared, leading Jess’s mother to accuse her of stealing them. Because Jess did not take them, and because she can always count on being accused again in the future, it gives her a reason to dismiss her mother as irrational and as incapable of listening to her. When Maureen points out that Jen must have come back and taken the earrings, if they were truly her favorites, it allows Jess and her mother to see each other in a more charitable light. It also adds the possibility that Jen might still be alive.
At the end of the novel, the Ferris wheel reinforces the mundane nature of life. They watch the wheel and can’t tell if it is moving or not, although they suspect it must be. This is a metaphor for life itself. Most of what happens in a day is unmemorable. Most experiences do not involve perceptible emotions or contain provocative implications. But the wheel turns, imperceptibly, in the same way that time passes. It also demonstrates that life will always have highs and lows, and once a person has boarded the wheel, they will always experience both.
The four characters inexplicably meet atop the Toppers’ House on New Year’s Eve. This holiday is symbolic because it represents both the end of an era as well as the beginning of a new one. When Martin, Maureen, Jess, and JJ meet, their lives are changed in ways they would never have expected. New Year’s Eve is regarded as a time of magic and hope, in which anything is possible for the new year. Each character made the silent resolution to kill one’s self. Instead of seeking death, the unlikely foursome find—through their friendship—reasons to embrace life. With the New Year came the end of the characters living their lives in isolation and regret and the beginning of them fulfilling lives of purpose and balance.
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By Nick Hornby