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20 pages 40 minutes read

A Dream Within a Dream

Fiction | Poem | Adult | Published in 1849

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Symbols & Motifs

Sand

Sand is a loose granular substance found near a body of water, or where a body of water used to be, like a desert. A single grain of sand can be viewed as something unique. But in “A Dream Within a Dream,” the speaker cannot hold onto even one grain. The light, loose substance is difficult to keep hold of and slips through the speaker’s grasp.

The image of sand passing through hands also echoes the flow of sand in an hourglass, which is a tool used to measure time. Once sand runs out of the top of the hourglass, time is up. Poe’s speaker is cursed because he can never run out of time, but he can never grasp a single grain of sand to stop the current moment from passing.

In western cultures, sand is often associated with dreams. A familiar figure in Scandinavian folklore—and European folklore in general—is the Sandman. This figure throws sand in the eyes of children to make them sleep. In Hans Christian Anderson’s tale “Ole Lukøje” (1841), the Sandman gives dreams to good children and none to bad children. The Sandman or Ole Lukøje also has a brother of the same name who closes eyes for the last time and leads the dead to the afterlife.

Dream

English Romantic poets used dreams as a metaphor for the creative process and to explore a deeper level of imagination. One key example of this is Samuel Taylor Coleridge’s “Kubla Khan” (1816) subtitled “Or, a vision in a dream. A Fragment.” This subtitle implies that Coleridge got the original idea for the poem from a dream.

Poe follows the example of these European Romantics in his writing. Dream is a frequent subject in his poems, including “A Dream,” “Imitation,” and “Ulalume.” In this poem, Poe takes his interest in the creative power of dreams a step further and suggests that the world created by his imagination—this world of layered dreams—is the speaker’s primary reality.

The Ocean

Poe associates the ocean with lost love. He most famously does this in “Anabel Lee,” a poem about a woman lost to a disease caused by a chill from the sea.

Here, the ocean is as pitiless to the poem’s speaker. The sea is also a familiar setting in Romantic poems—particularly shipwrecks—such as Coleridge’s “Rime of the Ancient Mariner.” In “A Dream Within a Dream,” the ocean shapes the landscape of his dreamworld. It constantly breaks on the speaker as he tries to complete his endless, Sisyphean task of collecting sand on the shore. Like the Greek god who had to roll a boulder up a hill for eternity, the speaker must collect aspects of his life: memory, love, time in his hands, then watch them slip away into the ocean again and again.

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